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Here are the steps you need to take to properly export your videos in Adobe Premiere Pro.

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1. Adobe Premiere Pro Free and Paid Options. Adobe Premiere Pro is widely known to be one of the prime choices for any professional video maker. And it has some history to back it up. The latest version is the one that you’ve downloaded from the official website. It downloads all the updates automatically.
2. Adobe Premiere Pro is the industry-leading video editing software. Creative tools, integration with other apps and services, and the power of Adobe Sensei help you craft footage into polished films and videos. There’s even more to your free membership.

For anyone who’s ever worked on any video project big or small, the greatest thrill (and perhaps the greatest terror) are always those last moments before you finally hit “export”. Depending on the length of your project, the file size and your computer’s processing abilities, the export process can range from a few minutes to several hours. And that period can be excruciating!

However, for those who might just be starting off, simply finding the proper way to export in Adobe Premiere Pro can be tricky if you haven’t done it before. In this short tutorial, we can teach you everything you need to know not just about how to export – but also some quick tips for the best ways to export.

So, before you click around and try to find that big red “export” button in Premiere Pro, here are the four steps that you’ll need to take to properly export your video project before you go and share it with the world.

1. Make sure your project is done and ready to export!

Yes, you want to export now! But please, please, please double check your work and make sure everything is exactly how you want it. I’d suggest at the bare minimum that you should attentively watch your video all the through at least twice to make sure there are no glaring mistakes.

If you’d like to watch your video on a bigger screen than the default Premiere Pro setup, simply hover your mouse over the program screen on the top right and click the (`) key to make the screen larger. (You can even go further and click (Control + `) to make the screen completely full.)

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2. Go to File / Export / Media

Only once you are absolutely sure that you are ready to export can you start the process. To export, navigate your mouse to your “File” program tab at the top of your screen. Scroll down the options until you get to “Export” near the bottom of the options. From there, you’ll want to choose the “Media” option to bring up the export box. (For a shortcut, you can also just press Control + M on a PC and Command + M on a Mac.)

3. Customize Your Export Settings

Once you click “Media” an “Export Settings” box will be brought up. Don’t just click through yet! These export options are highly customizable and might need to be changed depending on what you’d like to do with your video once it’s exported.

For many, the simplest and safest option might be to check the “Match Sequence Settings” box at the top right. But that’s only if you were working with a sequence which you knew was a good fit for your footage and upload needs.

You can also individually customize just about all parts of your video export including: Effects, Video, Audio, Multiplexer, Captions and Publish controls. At the very bottom of the right panel you’ll also see your Estimated File Size based on your current settings (keep this in mind if you need to keep your export under a certain size). You can also choose a video format that fits your size and quality standards.

If you’d like to research some information into what settings you might need to include for various upload platforms, here are some recommended settings to keep in mind:

4. Name Your File and Destination

Also, before you export you’ll want to make sure you’ve properly named your export file as well as chosen your desired location. To do this, you’ll need to click on the “Output Name” which appears in default as the name of your sequence in blue text (which you can click on).

Watch out as by default Premiere Pro will save exports to the last location an export was saved to. So if you’re working with multiple file folders or hard drives, you might end up saving to the wrong spot which can cause problems if the export file is very large.

5. Click Export (or Send to Queue)

Finally, once you’re settings are set and you’re ready you can take a deep breath export! You have two options here. You can click the “Export” box at the bottom and the export will begin in Adobe Premiere Pro. The file will be saved to wherever you chose as the destination when done.

You can also choose the “Queue” box which will transfer the export process to Adobe Media Encoder (as long as you have Adobe Media Encoder installed – which is included in most cloud packages). This is preferable for some as a better exporting platform, as well as allowing you to stack several exports up one after another if you are working with several exports at once.

And that’s it! If you have any troubleshooting issues, you can find some more resources on Adobe’s website here.

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Expanded native format support now covers SD, HDV, and HD, including native HD-SDI support for the AJA Xena HS card. A rich set of advanced editing and effects tools ensures that you can produce whatever you imagine, while new time- and space-saving features make your work more efficient and allow effortless integration into high-end effects and editing workflows. Innovative new tools such as Adobe Clip Notes streamline the client review and approval process, and DVD authoring from the Timeline expedites the creation of DVDs with or without menus.

Whether you work in post services, in-house post production, videography, or multimedia services, Adobe Premiere Pro 2.0 delivers a rich feature set that enables you to tell your stories with the highest possible production values.

New Interface and Workspaces

Adobe Premiere Pro 2.0 debuts a new user interface that will allow you to spend less time adjusting your desktop layout and more time actually producing video. Instead of a main window plus a series of separately floating palettes, the entire workspace is now contained within the application window itself, organized into docked groups of stacked, tabbed panels that automatically resize to maintain full utilization of available space.

This new environment is more efficient and less cluttered, eliminating the headache of overlapping or hidden windows and palettes. In most situations, you’ll now find it much easier to rearrange your workspace and quickly access the controls you need. But you can still easily create floating windows for panels or sets of panels, which can be especially useful for taking full advantage of two monitors.

Adobe Bridge

Adobe Bridge is a centralized file-management solution that makes it easy and efficient to browse, organize, and select content for your Adobe Premiere Pro 2.0 projects. A time-saving workflow enhancement, Adobe Bridge offers multiple ways of viewing your assets, as well as extensive, customizable XMP metadata support that puts you in full control of how to organize and search your files.

Proxy Editing

The introduction of Proxy editing in Adobe Premiere Pro 2.0 not only means that you can edit faster—particularly for HD projects—but also that you can make progress on your high-resolution projects even when you are working away from high-end, video-optimized machines.

Proxy editing is similar to offline editing in that lower-resolution clips stand in for the full-resolution files that will be used to finish the final output. Proxies may be created from video or audio/video master clips, subclips, or track items after a project’s master clips are captured at full-resolution. Depending on codec settings, proxies can help speed up your editing because they render faster and they require less computing power and storage space than the master files from which they are derived.

Unlike regular offline editing, Adobe Premiere Pro’s proxy editing allows a high-resolution master clip to be instantly swapped in and out of the project at any point in the workflow by simply changing its proxy enable/ disable setting. If you don’t have the disc space to keep all the master clips online, however, you can delete them from your disk and use proxies instead. You can also retain the master clips on one workstation while transferring proxies to another. When you’re done editing with a proxy, either recapture the master clip at full-resolution, or re-link the proxy back to its original master clip.

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